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Liberty Head 'V' Nickel 1883-1912


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Liberty Head 'V' Nickel 1883-1912

 

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Image from Mark Stilson at CoinPeople

History

 

Chester Alan Arthur was in the White House, and Franklin Delano Roosevelt was napping in a nursery in Hyde Park, New York. FDR, after all, was only one year old at the time. Horse-drawn carriages ruled the roads and in New York City, they also reigned supreme on the just-completed Brooklyn Bridge. The year was 1883, and one year after FDR's arrival in that nursery, the United States Mint was busy giving birth to a "baby" of its own: the Liberty Head five-cent piece.

 

•The father of the new coin was A. Loudon Snowden, Superintendent of the Philadelphia Mint. Snowden believed that the nation's three minor coins, the cent, three-cent piece and five-cent piece, should be uniform in design and metallic composition. In 1881 he directed Chief Engraver Charles E. Barber to prepare suitable sketches for these denominations, with all three to feature a classical head of Liberty.

 

•Barber completed the task late that year, and trial strikes were made of the three coins. All were very simple in design, with the Liberty head on the obverse and a Roman numeralI, III or Von the reverse within a wreath, signifying values of one, three and five cents, respectively. All were struck in copper-nickel, the same alloy being used already in the three-cent piece and the Shield nickel. It soon became apparent that Congress would oppose a change in composition for the cent, which was made of bronze. Furthermore, the Treasury would not permit a design change for the three-cent piece. That left only the five-cent piece, and Snowden and Barber concentrated on overhauling it.

 

•The Shield nickel, introduced in 1866, was the first base-metal five-cent piece in U.S. history; up to then, the half dime, a small silver coin, had filled the nation's need for that denomination. Though reasonably well accepted, the Shield nickel was hardly untouchable; its stark, bland design made it a prime candidate for remodeling. And its newness didn't protect it from replacement: At that time, there wasn't yet a federal law establishing a minimum life expectancy for U.S. coin designs.

 

•Snowden admired Barber's new design, and he also welcomed the change because it gave him a chance to increase the diameter (and thus reduce the thickness) of the nickel. He believed that this would lengthen die life dramatically. Snowden proudly unveiled the Liberty Head nickel at a special ceremony on Jan. 30, 1883. Dignitaries attended and souvenirs of the first strikes were distributed to the guests. Regular coinage began later that weekthen suddenly, the celebrating stopped.

 

•The first "V nickels" had barely left the Mint when appalled officials found a fundamental flaw in their design: Barber had omitted the word CENTS. His oversight soon created a crisis for Uncle Sam: Confidence artists were plating the nickels with gold and passing them off to unsuspecting merchants as $5 gold pieces. They were, after all, virtually the same size as half eagles. As brand new coins, they were still unfamiliar to the public, and they lacked any statement of value beyond the letter V, which, of course, could represent either five cents or five dollars.

 

•Barber quickly prepared a new design, this time placing CENTS in big, bold letters below the V. By then, however, the Mint had struck nearly 5 1/2 million of the so-called "Type 1" nickels, and many had been gold-plated and passed. Even today, it isn't uncommon to find these "racketeer nickels" in hoards and collections. Their value as collector's items is small, but they hold great appeal as historical curiosities. By the end of 1883, the Mint had produced more than 16 million nickels with CENTS on the reverse, but the "no CENTS" variety is far more common today in choice condition. Many people set examples aside, mistakenly believing that having been replaced, these would someday be rare.

 

•Following all the drama surrounding its introduction, the Liberty Head nickel settled down to a sedate existence and one more befitting its role as a coin of the realm in the late Victorian era. There were no further changes in its simple, straightforward design, and for all but the final year, there were no branch-mint issues to complicate matters, either; the Philadelphia Mint produced the entire mintage except in 1912, when Denver and San Francisco struck the coin as well in its last official appearance. (The mint mark appears to the left of the word CENTS on the reverse).

 

•There are low-mintage issues...notably 1885, 1886 and 1912-S but there are no great rarities; 1912-S, at 238,000, is the only coin with a mintage below a million. At the other extreme, not one V nickel topped the 40-million mark; 1911 is the highest with just over 39.5 million.& In 1913, the Liberty Head design gave way to the Buffalo type. No Liberty nickels were made that year officially, but years later collectors were stunned to learn that five 1913 examples had surfaced, all of them apparently made on the sly by someone at the Philadelphia Mint. Despite their clouded origins, these came to be accepted as legitimate collectibles, and they now rank among the most coveted and valuable of all U.S. coins.

 

•Although it covers 30 years, the Liberty nickel series makes for a compact and complete-able set, largely because of the all-but-total lack of branch-mint issues. For that reason, it's widely collected by date and mint, though many do collect it simply by type. Proofs were made in every year, always in the thousands, a high level for that period. Because of their low relief, V nickels are generally well struck and are readily available in very high grades. Points to check for wear are the hair above Liberty's ear and the wreath and corn ears on the reverse.

 

•Controversy marked both the birth and the demise of the Liberty Head nickel. There's no disputing one thing, though: This is a coin with exceptional appeal for collectors.

 

SPECIFICATIONS:

Diameter: 21.2 millimeters

Weight: 5 grams

Composition: .750 copper, .250 nickel

Edge: Plain

 

BIBLIOGRAPHY:

Breen, Walter, Walter Breen's Complete Encyclopedia of U.S. and Colonial Coins, F.C.I. Press/Doubleday, New York, 1988.

Peters, Gloria and Mohon, Cynthia, The Complete Guide to Shield and Liberty Head Nickels, DLRC Press, Virginia Beach, VA, 1995.

Taxay, Don, The U.S. Mint and Coinage, Arco Publishing Co. Inc., New York, 1966.

Wescott, Michael, with Keck, Kendall, The United States Nickel Five-Cent Piece, Bowers and Merena, Wolfeboro, NH, 1991.

Yeoman, R.S., A Guide Book of United States Coins, 47th Edition, Western Publishing Co., Racine, WI, 1993.

 

History provided with the permission of NGC (Numismatic Guaranty Corporation) from their Photo-Proof series.

Edited by Art1.2
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  • 4 years later...
Hmmmm,Interesting...I don't do nickle's but I have a 1911 V Nickel! :ninja:

 

Ah! The start of a new collection ...

 

The Cent and the Nickel have an intersection, of course, in the first issues of Small Cents were 12% nickel. They are obviously lighter in color (also thicker) than copper or bronze coins. The new "nicks" lead to lobbying by Joseph Warton (for whom the famous Business School is named, and owner of a nickel mine) for other nickel coins.

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  • 4 weeks later...

http://www.libertynickels.org/variety.php?

 

It's a better resource than nothing but I'd like to find something as exhaustive as the Flynn book on Barber Dimes. I'll wait a few days to see if anyone has comments about the above books before I set my money down.

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  • 1 year later...

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One of the many varieties courtesy of http://www.libertynickels.org/pattern.php?

 

That's a great nickel. Thanks for sharing. I cleaned up the intro section with the missing images. They were just place holders for special characters.

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When I get a chance, I''d like to go back and add all the interesting patterns for different series. I think patterns have a lot of stories to tell.

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Some of them you really do wish they had been adopted!

 

I live close enough to ANA headquarters that I can go to the museum from time to time and I always look at the patterns in the Bass display. (I find date runs of gold pieces even with unique pieces much less interesting--I guess I am a dyed-in-the-wool type collector--but those are there too.)

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