QUOTE(Art)
Well there are graders, retail salespeople, catalogers/researchers, auction assistants(a number of different types of jobs there), writers, and of course investors/traders. I'm sure that there are many I've missed.
If you like coins and have experience at almost anything, you can find some kind of work in numismatics.
Retail clerking is an underappreciated skill. We have too many numismatists behind the counter who "know a lot about coins" and know nothing about
people. "We see common junk like this all the time. I can't give you more than $8 for it." versus "Nice coin! I'd be happy to give you $8 for it." I saw one case where the customer wanted way more than market for an item and claimed that they had another dealer who would pay it and the one guy behind the counter gave a cheery reply, telling the customer to take the better offer because it is pretty good, while the other clerk grumbled that the customer was virtually a liar. If you go to coin shows, you meet all kinds of dealers and almost any avenue can be a path to success, but if you don't like meeting people, don't stand behind a counter doing it all day.
Auction cataloguing is a special skill. A long while back, Heritage was looking for a cataloguer and they ran an ad in the Numismatic Literary Guild journal and when I emailed and wrote and eventually got through on the phone, I was told that their arm was twisted and they agreed to the ad against their better judgment and they were right: being able to write is not the same thing as being able to write an auction catalog. No one who had applied had any experience and they were just going to make due without for now. So, if you want to be a cataloguer, get some experience. For instance, if your club has an auction, then write up the lots and create a dozen "catalogues" over the course of a year.
Dealering and tradering are likewise not for everyone who likes coins. The money is not in selling coins, but in buying them. That's true of houses or anything else.
As for writering, we have a lot of archived discussions in the Numismatic Online Writers forum. It does not pay. As an editor at Coin World, I got half of what I got as a technical writer both before and after. Coin World was a steady paycheck with benefits, but the salary was modest at best, and the work was hard and unrelenting. You don't spend all day looking at coins. When one of the other Amos editors found out that I posted online after work, he drew me aside and warned me that if I had the energy to write after work, then I must have held something back from the company during the day. Writing freelance for the ANA is not as painful, but pays even less. Serious writers like Robert Leonard and the Roberts Julians have spent lifetimes knocking out articles month after month, week after week, day after day. If you are young and can devote yourself to just that, you can do this for the next generation. The problem is that no one has figured out how to make money doing that ONLINE and ONLINE is the
future.
The average factory wage in America is $17.00 per hour, for about $35,000 per year. The average household income is about $54,000 per year which is one full time and one part time job per household for about $27 per hour total. The value of the dollar being what it is objectively, if you are not making $100,000 per year, then you are in the working poor. Numismatics pays in the middle of that spectrum. Dealers who have millions in inventory and who buy and sell in the ranges of hundreds of thousands, net out in that middle range of the working poor. Some are middle class ($100,000 to 1 million per year), but at the low end of that, not the high, and only after a lifetime of hard work... just the same as any other career... which is what you would expect, there being no such thing as a free lunch.